The point is simple: You never know what to expect from a theatre performance, but usually is something that hits you badly, for better or worse. I mean, I really live the theatre as a personal, intimate experience.
I used to have a subscription for one theatre in Milan, but the opportunities were endless.
After moving in a English speaking country, I had to wait for a while before approaching the theatre again. London teems as well with theatre plays. I saw, together with my boyfriend, some of the ever running shows of the capital, as The Lion King, The Mousetrap, and The Woman in Black.
Then in December of the last year I took an entire day off and went to see by myself The Cursed Child, composed of two parts, one in the afternoon and one in the evening, and I still have goosebumps if I think about it (and that happens often). London was all light up for Christmas and glistering in the rain.
Then I waited again, worried about starting exploring for real, worried about not understanding the quick talks and the puns, the UK slang and the occasional Scottish accents. But now I have fully resumed my solitary exploration of the theatres venues of the capital and of the forgotten corners of my soul.
I have two main passions that are my strong companions in life: one is writing, the other one is observational astronomy. Apart from this two centres or focal points, I try to draw, I’m an huge fan of Tolkien, and I’m fascinated by “visual” languages like Japanese. There are days I don’t do anything else but tirelessly practising kanji (Japanese ideograms) and learning about their shapes and origins. Not that I’m even near to speak or read real Japanese yet.
I need to fill my spare time with creativity, otherwise a unbearable sense of waste falls over me.
My mind is restless, and the most disparate things fascinated me.
But writing has been my first passion. I remember I started to think and actually write down the first stories on my grandmother vast dark-green glass table during elementary school. I still remember the outlines of some of them, and few years ago I found an exhilarating, hand-written page about two schoolgirls in elementary school, one of them, who I named Erika, was an alien in incognito who accepted to transform back in her real shape to show her sceptic friend. I was in elementary school as well when I wrote it. There is another one from my childhood, a very strange one, I never made into written words. And now that I think about it, there was already something dark about my stories then.
During my high school years I’ve been very proliferous. In that self-exaltation, I was sure I was going to be a writer. That to say, a bestseller one. I created most of my stories then, and I feel so sad thinking I destroyed or deleted several of them. Even the one I was writing tonight, it’s nothing but a retake of an idea I had when I was fourteen years old.
I was such a weird and introvert kid.
The most fascinating things about creative writing was, for me, the way the visions in my mind were flowing directly on the paper (and, later, on a compute screen), sometimes completely effortlessly. A blank page didn’t scare me a bit, I was looking forward for new blank pages. Writing and visions were often entangled together. If I can use the word, I was feeling something magic was going on.
(The era of the effortless creations is finished. Now everything is so damn difficult. Now, since looks like I’m not blessed anymore, I better start organising myself and resume practising!)
I’m currently reading One flew Over the Cuckoo’s Nest, written by Ken Kesey in the sixties, Oregon. I’ve got quite a number of US novelist in my reading list at the moment, now that I think of it… But I’ve been curious about this one for some time, since a friend of mine told me the narrator voice was the seemingly deaf Indian Chief (by coincidence this friend is doing an internship in the psychiatric ward of an Italian hospital right now).
I bought the Penguin Modern Classic edition, that includes the writer’s sketches as well.
The reason I opened a post about it is that I’m stunned by the way it is written: there is a visual element in the way the story is told that whoa, it’is just blowing my mind. Of course I like the story – I liked it years ago when I saw the movie, and it had been a lasting impression on me ever since ( to tell the truth, I cannot help but image the broad, red-haired and tattooed McMurphy of the novel as Jack Nicholson – but that’s okay, his interpretation was majestic).
Chief is telling McMurphy’s story from his eyes, and we as spectator are force to take this point of view as well, that is either incredibly into focus and vivid or filtered through hallucinations. In my opinion is this distortion from a plain narration that makes this book so interesting, dreamy and cruel at the same time.
I’m just so absorbed by this book.
So this is the way the villain Miss Ratched is introduced, by her mechanical, neon coloured fingers:
I’m mopping near the ward door when a key hits it from the other side and I know it’s the Big Nurse by the way the lockworks cleave to slide through the door with a gust of cold and locks the door behind her and I see her fingers trail across the polished steel – tip of each fingers the same colour as her lips. Funny orange. Like the tip of a soldering iron. Colour so hot or so cold if she touches you with it you can tell with.
Ken Kesey, One flew Over the Cuckoo’s Nest, p. 4
And a while after he unveils the beast:
She’s swelling up, swells till her back’s splitting out of the white uniform and she’s let her arm section out long enough to wrap around the three of them five, six times. She looks around her with a swivel of her huge head. Nobody up to see, just old Broom Bromden the half-breed Indian back there hiding behind his mop and can’t talk to call for help. So she really let herself go and her painted smile twists, stretched to an open snarl, and she blows up bigger and bigger, big as a tractor, so big I can smell the machinery inside the way you smell a motor pulling too big a load. (…) All the patients start coming out of the dorms to check on what’s the hullabaloo, and she as to change back before she’s caught in the shape of her hideous self.
Ken Kesey, One flew Over the Cuckoo’s Nest, p. 5
I don’t want to add other pieces, not to ruin the book for a new reader, but around page 77 there’s something jaw-dropping .
This novel was part of a book “haul” at Foyles from the last February:
The morning of my fourth day in Ireland was cold, rainy and gloomy. After breakfast I climbed on a slow hill to watch the sea:
This was a revealing moment, and it was then I decided that I would do it again, travelling alone: pouring rain was approaching, wind was hauling inside my ears, there was not much I could do that day, but at the same time I felt completely free of deciding of my own time.
I visited the ruins of the medival church of Killilagh:
I had planned to do some trekking, but the downpour kept me inside.
This is much all of it: I decide to cancel my reservation in Doolin and go back one day earlier to Dublin, to visit some more of the city the next day before taking the plane.
I took another bus to reach the Cliffs of Moher. From Galway to the Visitor Centre in the middle of the cliffs it takes about two hours of ride. I went with Bus Éireann, and the route followed the coast around Galway bay and then down in the strange and rocky landscape of the Burren.
Looking outside the bus windows ad the gloomy sky and at the sea, I was feeling amazed: The cliffs of Ireland are an old dream of mine becoming real.
I arrived at the cliffs at 10 o’clock: in the bust was just me and two girls from Germany, loaded with big backpacks. The sky was cloudy and the air chill, rain was forecast for the late morning.
Here is the famous view of the cliffs from the Visitor Centre viewpoint:
From the Centre I walked along the southern edge of the cliffs until Hag’s Head, and back, that is in total around two hours of walk.
I met just a couple of people more: I had the cliffs all by myself.
Toward Hag’s Head and back
It started raining when I was around an hundred metres from the ruins of Moher Tower. I was well far away from any type of shelter, so I decide to prepare my lunch nevertheless at the foot of the tower and just enjoy the rain against my glasses and raincoat. On my way back mist started to raise as well, and I understood how lucky I’d been: the landscape completely changed, and all the cliffs just disappeared, eaten by the mist. The visibility reduced to just few hundred metres. Sky and sea blended together in greyness.
A long way to Doolin
I walked back to the Visitor Centre and waited there for the mist to fade away. More tourist started to arrive and fill the place. I bought myself a cup of tea and visited the exhibition about the cliffs environment that was currently taking place at the Centre.
I then resumed my walk along the northern part of the cliffs towards the village of Doolin, where I was staying that night.
Here some photographs of the northern section of the Cliffs of Moher:
I was planning to walk the full coastal path to Doolin, but I was wearing sneakers and the ground was very slippery from the recent rain. Further more, more gray clouds where accumulating on the northern horizon, and mist was still looming at my back. I decided to abandon the cliffs edge and find a way to a road in the countryside that was showing on my map. This resulted to be a good idea, and I discovered the village of Lough and the lovely, silent Irish countryside, where not a soul was around.
Finally, I reached the village of Doolin, revealed first by Doonagore Castle:
This part of countryside must be lively with tourists during the summer, but then I was off season and I met, in two days, just few other travellers, mostly alone: all the shops closed, the ferry service suspended until second week of March, the Aran Islands isolated from the mainland… Everything was soaked in a eerie silence and immobility – a sense of waiting, a tension. For me, was pure magic.
I was staying at the Doolin Hostel, which I recommend. After leaving my clothes to dry (I had a room just for me this time!), I decided to walk for another 20 minutes until the pier. Now the air was cold and the wind rising. Just in front of the Pier is the round island I saw from far away.
The Pier had a deep sense of abandon and wilderness, emphasised by the shut ferry offices, and I stayed there for a while breathing in the wind.
That evening I had dinner (Irish beef stew, bread and butter, with Guinness) at McGann’s Pub. There I saw again the two German girls of the bus, a lone young woman from Sweden, and a Texan Man.
I walked back, in pitch darkness, toward the hostel. Misty rain blurred my sight, the air was cold and damp. That night I sleep beautifully.
In the early morning of the 26th of February, I grabbed my backpack and I rushed to the airport. Packed tightly in the small backpack I had clothes for five days, and I was thinking of buying later all the other necessities for my survival.
It was the first time I travel alone: I must had been nervous, but at the moment I wasn’t feeling anxious at all.
I planned my trip in a way I could sleep in a different place every night: Dublin, Galway, Doolin (at the start of the Cliffs of Moher) and then in Dublin again. Furthermore, I decided to sleep in shared rooms in hostels.
It was just fantastic. I never felt so free and in peace with myself in my life.
Ireland is a wonderful, safe place with amazingly friendly people. And is so easy to get around.
Day 1 – Dublin
The hostel I chose was just left of the city centre, not far way from the Guinness Storehouse. I spend the day along the river Liffey – I walked until the port – and most of the evening in a pub called Teac na céiBé, listening to live music and chatting with some other tourists. Before going back to the hostel, I grabbed some dinner and then went to the croudy Temple Bar to listen to some more live music.
Day 2 – Galway
The next morning I woke up early to catch the bus to Galway (during all this holiday, actually, I woke up naturally every morning well before my alarm: my body and my mind were full of energy).
Smaller, almost like a village, Galway was an enchanting surprise, and I found myself thinking I would had loved to live there. The most impressive thing was the sound of the gulls, loud and shrill even in the hearth of the city. I had a long stroll at the harbour, at South Park, and along the road that connect Mutton Island to the mainland. The sun was hot and blinding and for a while I remained just in short sleeves.
During the afternoon I explored the centre, and I stopped to listen to a street artist (Katie O’Connor has a truly beautiful voice).
In the evening I found myself wandering along the streets, looking for a nice place to spend a couple of hours, when I heard some music coming from a pub called Tig Coili. I sat at the counter and order a beer.
The woman next to me was alone as well, and another girl sat for a while near us as well. The next day, in the gloomy and windy Doolin, I would meet more girls and women travelling alone.
Before coming back to the hostel, I stopped in an off license to buy some bread and cheese to bring to me the next day on the cliffs.
Il flyby di Ultima Thule da parte della sonda New Horizon, di soli due giorni fa, mi fa tornare a vagare con la mente oltre l’orbita dell’ultimo pianeta: la Fascia di Kuiper, e poi la Nube di Oort. La parte più esterna del Sistema Solare è ancora inesplorata, e la sua stessa esistenza è una scoperta relativamente recente.
Di tutti gli oggetti transnettuniani, Sedna ha sempre esercitato su di me una certa fascinazione. E il nome che è stato scelto per battezzare questo pianeta nano che orbita agli estremi del Sistema Solare, impiegando più di 11 mila anni per compiere un’orbita attorno al Sole, è perfetto e fa risonare l’immaginazione.
Sedna è la dea del mare e delle sue creature nella mitologia inuit, legata alle fredde profondità del mare artico, “madre del profondo”, e creatrice degli animali marini. Lei controlla l’abbondanza di foche, trichechi, pesci, e di tutti gli altri animali su cui basa il sostentamento delle tribù artiche.
Quello di Sedna è un mito della creazione, e il momento di transizione da giovane donna a potente spirito (lo spirito più potente del pantheon inuit) avviene mentre la giovane Taliayuk e suo padre sono in mare aperto in kayak (la ragione è diversa a seconda della versione del mito che si sceglie). Per salvare se stesso, il padre spinge la figlia in acqua. Ma lei riemerge e si aggrappa all’imbarcazione, e resiste ai colpi di remo che il padre le sferra sulle dita. Quando le sue dita sono ormai congelate dal freddo, vengono spaccate dal remo, e la ragazza spofonda nell’oceano, seguita dai monconi delle sue dita.
“Taliayuk si aggrappò con tutte le forze al kayak, rifiutandosi di tornare col marito. La canoa stava per ribaltarsi ed allora, il padre, con un colpo di remi mozzò le prime falangi della figlia, che non appena toccarono l’acqua generarono i narvali. A quei colpi ne seguono altri: dalle falangi mediane nacquero balene bianche e beluga, mentre dalle ultime le foche. Dopo un colpo in pieno viso, la giovane sprofonda nelle acque gelate. Qui diviene Sedna, dea del mare, con la parte inferiore del corpo simile alla coda di un pesce. Spirito potente ed inquieto, che prova odio per il genere umano. Quando è furente con gli uomini che perpetrano inutili crudeltà agli animali, increspa il mare e scatena tempeste e uragani. Per ingraziarsi la dea, gli Inuit, tramite uno sciamano, inviano un messaggero a pettinare e intrecciare i lunghi capelli che lo spirito non può più curare perchè priva delle mani. Solamente quando si rabbonisce libera i suoi figli, per permettere alla popolazione di sfamare le loro famiglie. I cacciatori, per ringraziarla, versano dell’acqua dolce nella bocca dell’animale catturato.” *
L’oceano era vuoto a quel tempo: dai monconi del suo corpo Sedna inventa e dà vita alle creature marine, per non restare sola.
Freddo, buio e lontananza.
L’orbita del planetoide 90377 Sedna è incredibilmente ellittica e inclinata: nel punto più vicino al Sole si trova a 76 unità astronomiche, ma nel corso del suo viaggio di 11 mila anni si allontana fino a 936 unità astronomiche – sembra l’orbita di una cometa.
Nell’illustrazione seguente, l’orbita magenta corrisponde a quella di Plutone:
Sedna è stata scoperta nel novembre del 2003: era l’oggetto orbitante attorno al Sole più lontano che fosse stato mai individuato, eppure si trovava allora abbastanza vicina alla Terra. Ad 84 UA ora, raggiungerà il perielio nel 2076.